GABRIELLA CILMI | Save The Lies | |
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LYRICS:
Good to me, good to me, good to me You better be good Oh I'd like to find something I've got my best dress on And I'll play from dusk 'til dawn And when you sleep tonight I'd hold my pillow tight I'd turn all the lights off Oh I say, don't say That you're up to nothing You're sure up to something Today, boy I'll start a laughing 'Cause you will pay Save the lies I'm a saying I might get a bit rough If he ain't good to me Oh good to me So I say with a smile 'cause I know That he'll be good You better be good to me You better be good... You better treat me nice Or I'll come back to bite Boy just you wait and see I'll throw you in skin deep Into reality No this ain't fantasy Oh I say, don't say That you're up to nothing You're sure up to something Today, boy I'll start a laughing 'Cause you will pay Save the lies I'm a saying I might get a bit rough If he ain't good to me Oh good to me So I say with a smile 'cause I know That he'll be good You better be good to me Ya better be good... Gonna set your bright soul alight I'm gonna play my right card tonight I'm gonna fly my bike And ride my kite I'm gonna eat you up Bite you by the... Save the lies I'm a saying I might get a bit rough If he ain't good to me Oh good to me So I say with a smile 'cause I know That he'll be good You better be good to me Oh good to me
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INFORMATION:
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Notes:
In an interview with the Times, Miranda Cooper described the song as having a "1970s, Rod Stewart strut to it".
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Save the Lies just blows you away, showing a maturity in her voice that demands your attention, with the additional appeal of the unbridled youthful enthusiasm of a 16 year old.
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There've been a lot of Amy Winehouse comparisons for Cilmi, but album opener Save the Lies sounds more like an early Vanessa Amorosi with more expensive production values and a cheap faux-feminist 'empowering' lyric. It's one of a number of tracks on this album which prevent it from reaching true heights of pop perfection. Ben Convey
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Saturated in Eighties trademarks - worst of all the horrible keyboard, splatting out the track's jazzy melody - Brian Higgins and Miranda Cooper's composition is assembled from a song sheet that had already gone out of fashion before Cilmi was born.
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This song is catchy enough, with words flying at a thousand miles a minute without any sign of coming to a halt, but it is pretty weak overall. You need fans humming the tune and reciting the words to get it into the charts.
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(...) has an infectious quality, this time with a heavily synthed backing track, and swift pace driven forward by Cilmi's commanding vocals. Lisa Sutlieff
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Gabriella Cilmi (...), in spite of her obvious talent, is doing very little to win us over. Having originally fashioned herself as a Petits Filous Amy Winehouse, it seems the disco soul nothingness of Save The Lies is an attempt to drag her in another direction altogether. Now she's an anaemic Anastacia - try saying that five times quickly. The Sloppy Dog
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After wriggling its way up the charts with a lot of help from a deodorant ad, it looked likely to be a one-off smash for the 16-year-old Aussie. But, against the odds, her follow-up single is just as appealing.
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